published outcomes

creative practice critical discourse catalogues with essays multimedia


creative practice 


critical discourse

the Journal of Artists’ Books (JAB),

“the Australian JAB” JAB 39
Notes on Artists’ Books from the Antipodes,
Tim Mosely
ABBE: Artists’ Book Brisbane Event, Sarah Bodman
Coming to Our Senses with a Modern Mythic Form: Postliteracy in Artistsbooks, Lyn Ashby
Designing with/for/through the Existing: Artists’ Books and Documentations, Marian Macken
The News and the Book, Marian Crawford
Machine Translations: Poets, Poetics and the Artists’ Book, Caren Florance
The Equal Standard Broadzine, Gabriella Wilson
Report from a Border: Text and Typography in Australian
Artists Books, Angela Gardner and Kerry Kilner
The Grafted Image, Victoria Cooper
The Haptic and the Emerging Critical Discourse on Artists’ Books, Tim Mosely
Fumbling Hands and Phantom Limbs; The Photograph, the Hand, and
the Artists’ Book, Deidre Brollo
Climbing Discourse: The Legacy of Touch, Bridget Hillebrand

JAB 43
The Knowing of Artists’ Books, Monica Carroll and Adam Dickerson

JAB 42
Betwixt & Between, <usus>: Uta Schneider & Ulrike Stoltz
Memorandum: From Concept to Publication, Ana Paula Estrada
Handling the Folds: An Intimate Encounter, Bridget Hillebrand
A Lively Phantom, Marian Crawford

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the Blue Notebook

Vol 6 #2
The Book of Laughing and Crying
, TIm Mosely

Vol 1 #1
Integrating Artists’ Books and Papermaking, Tim Mosely

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catalogues with essays,

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preceding 2017 Mirror Image
Curated by Prof Ross Woodrow

 
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Beneath the Surface
Russell Craig
Tim Mosely
Glen Skien

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Body Politic,
Prof Ross Woodrow

 
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multimedia


Noreen Grahame
dicusses with Tim Mosely books from her collection for the exhibition artists’ books and multiples from Centre for the Artist Book, grahame galleries + editions, part of ...& So shown during abbe 2017 at Griffith Library Queensland College of Art

 

 

... dc3p is a contemporary fine art publishing project associated with the print program at Queensland College of Art. Framed within print culture and haptic aesthetics the venture supports studio research into artists book practices and autographic printmaking.


artists books @ dc3p

… the emergence of artists books in the twentieth century as a medium that engages the breadth of our senses was underpinned by collaborative practice between poets, artists and designers within print culture. This intersection between the fields of fine art, literature and design facilitated by the printed book continues to attract interest across the creative arts. Responding to the fields emerging critical discourse a research focus on books by artists textured by 'the haptic'  has been established at dc3p. This focus embraces the production, reception and evaluation of artists books within the antipodes. In keeping with the haptic, the nature of the focus is dynamic, responding to the surfaces of the field.

To date those surfaces include;

the abbe events (artists books brisbane event)
these have featured a conference, artists book fairs and exhibitions,

the publication of peer reviewed articles/essays academic papers from the abbe events have been published in The Journal of Artists' Books,
 JAB39 ,   JAB42 ,   JAB43

the pinch - the development of a peer review collective supporting critical discourse on artists book practice,

the codex events - a series of collaborative publishing events and masterclasses featuring invited and visiting artists or scholars,

exhibitions - national & international, featuring books and prints by artists ,

advances in studio techniques, including
pulp printing - & fine papermaking techniques

other epicentres of artists book research dc3p has links with include:

Centre for Fine Print Research
Journal of Artists Books
The Codex Foundation
Bibliotheca Liborum Apud Artificem
centre for the artist book at Grahame Galleries + Editions
State Library of Queensland
silverwattle bookfoundry
the NERAM Museum of Printing
The Centre for Material Texts


contact dc3p


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