so far in 2018

 


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Visiting artists, Charles Cohan , Professor of Printmaking at the University of Hawaii at Manoa,  and Cassie Ferguson studio assistant for printmaking at the University of Hawaii at Manoa, have commenced a two week residency at QCA's print studios. Focussing on stone lithography during the residency Professor Cohan delivered a stone lithography workshop for the QCA print club and is exhibiting a body of his work titled Trajects: Prints 2012 - 2018 at QCA's Webb Gallery
from April 4th - 14th . 


Dr Tim Mosely and Dr Glen Skien  featured in
the New England Regional Art Museum's 2018  WIMBLE"S WAYZGOOSE on the 6th - 8th of April 2018. Celebrating print culture the event incl udeda keynote and guest speakers, 4 one day workshops on prints and the book, and a "printers picnic".  

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HDR student Michael Phillips 's is the winner of The Brisbane Airport Corporation Artwork Competition.  His submission for this significant commission is based on woodblock releif prints.

 

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QCA lecturer Tim Mosely makes the bespoke paper
for the Queen's message placed in the Gold Coast
2018 Commonwealth Games Queen's Baton
.
 

The paper for the Quuen's Baton is the first significant
creative research project from QCA’s new hand paper-making mill.

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JAB42 is out

it includes 4 papers from abbe 2017.
 ‹betwixt & between› the keynote by Ulrike Stoltz & Uta Schneider
  “Memorandum”, from concept to publication by Ana Paula Estrada
Handling folds: an intimate encounter by Bridget Hillebrand
A lively phantom by Marian Crawford

more abbe 2017 papers to come in the next volume

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correlations between independent publishing and artists book practice
the catalouge for this small collection of books by artists, designers and independent publishers will be relaesed early in 2018, keep an eye out for the collections as it tours.

 


 in 2017


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HDR student Ana Paula Estrada de Isolbi has been awarded the AAANZ 2017 best artists book prize for her book  Memorandum



 

... dc3p is a contemporary fine art publishing project associated with the print program at Queensland College of Art. Framed within print culture and haptic aesthetics the venture supports studio research into artists book practices and autographic printmaking.

 

artists books @ dc3p

.… the emergence of artists books in the twentieth century as a medium that engages the breadth of our senses was underpinned by collaborative practice between poets, artists and designers within print culture. This intersection between the fields of fine art, literature and design facilitated by the printed book continues to attract interest across the creative arts. Responding to the fields emerging critical discourse a research focus textured by 'the haptic'  has been established at dc3p. This focus embraces the production, reception and evaluation of artists books within the antipodes. In keeping with the haptic, the nature of the focus is dynamic, responding to the surfaces of the field.

To date that research includes;
 the abbe events (artists books brisbane events) featuring conferences, artists book fairs & exhibitions,
JAB39 - JAB42 - the publication of peer reviewed articles and essays from abbe 2015 and abbe 2017 in the Journal of Artists' Books,
pinch - a peer review collective supporting critical discourse on artists book practice,
the codex events - a series of collaborative publishing events and masterclasses featuring invited and visiting artists or scholars,
exhibitions - national & international featuring books by artists and prints by artists,
& HDR and Post Graduate students

Other epicentres of artists book research dc3p has links with include:

Centre for Fine Print Research
Journal of Artists Books
The Codex Foundation
Bibliotheca Liborum Apud Artificem
centre for the artist book at Grahame Galleries + Editions
State Library of Queensland
silverwattle bookfoundry


contact dc3p

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